July 20, 2010

Tomorrow When The War Began

Tomorrow When The War Began is a big deal for Australian film.

It's a fully homegrown story, based on John Marsden's series of books, which many young Australians hold sacred. The series was by far the highlight of the high-school reading curriculum during the mid-nineties, but more than that, it was a dangerous adventure with a heavy smack of realism in which young Australian readers could easily identify themselves and their towns. This story isn't unfolding in Oaklahama, or Califrancisco, it's happening in Wirrawee. 

In short, there are a lot of passionate fans - it's one of those books that people take ownership of and remember with joy. Until the movie comes out and ruins all your head-pictures. Nah, that won't happen this time. Will it?

This movie needs to deliver. It's hard to think of a more ready-made opportunity for engaging an Australian audience in an Australian film. We love the story and we will go and see the movie. Local audience's apparent disinterest in Australian film will be set aside momentarily - and if they are offended by first-time director Stuart Beattie's interpretation of one of their favourite books, that disinterest may well turn to disdain. But according to the Tongue, Marsden turned down a number of other offers from companies keen to make this film, so we'll have to trust his judgement.

We really, really hope that it's brilliant. The anticipation out there is pretty remarkable for an Australian film.

The official Tomorrow When The War Began website was launched today - check it out here.

And also squiz the Wirrawee website - I think they would get more mileage from this clever little idea if the main TWTWB site didn't link directly to it, but that's just me.



Trouble Down Under

Mad Cow Pictures will begin production of a U$25m independent animated CGI film in Sydney next month.

In Trouble Down Under, a mob of African meerkats lost in the outback causes tension with the local red and gray Kangaroo mob families. Their accidental arrival triggers chaos when a white wallaby rogue named Al Bino, returning from exile overseas, creates further confusion.

The voice cast includes Rove McManus, Ernie Dingo, Cameron Daddo, Andrew Daddo and Skippy star Tony Bonner.

You read that correctly; two Daddo's, a Dingo, Skippy and Rove. I'm guessing the soundtrack will be by John Farnham and there will be cameos from Dame Edna and Daryl Somers.

July 12, 2010

2010 AFI Award Nominees (Non-feature)

It is with great pleasure that the Australian Film Institute announces the following nominees:



AFI AWARD FOR BEST FEATURE LENGTH DOCUMENTARY

Contact. Martin Butler, Bentley Dean

Inside The Firestorm. Lucy Maclaren, Alex West

The Snowman. Rachel Landers, Dylan Blowen

Strange Birds In Paradise - A West Papuan Story. Jamie Nicolai, John Cherry



AFI AWARD FOR BEST SHORT ANIMATION

The Lost Thing. Sophie Byrne, Andrew Ruhemann, Shaun Tan

Zero. Christine Kezelos, Christopher Kezelos



AFI AWARD FOR BEST SHORT FICTION FILM

Deeper Than Yesterday. Benjamin Gilovitz, Sarah Cyngler, Anna Kojevnikov, Ariel Kleiman

The Kiss. Sonya Humphrey, Ashlee Page

The Love Song Of Iskra Prufrock. Lyn Norfor, Lucy Gaffy

Suburbia. Richard Halsted, Antonio OreƱa-Barlin



I'm looking forward to seeing animated short THE LOST THING - I love Shaun Tan's work and the book is beautifully sublime!

WAIL AWAY - Feature films seeks Tasmanian cast & crew

The Producers of the feature film WAIL AWAY are inviting all Tasmanian resident actors to attend auditions in Hobart and Launceston.

3 of the 6 lead roles are dedicated to Tasmanian actors with all support, featured extras and extra roles also dedicated to Tasmanian residents. The remaining 3 lead roles are open to auditions Australia wide and in America.

All Lead, Support and Featured roles are available and interested actors who are yet to do so should visit the http://www.wailawayfilm.com/ website for character profiles and registration information.

Synopsis
“How well do you really know someone?…”
Wail Away is an edgy thriller. A suspenseful and high stakes journey of one filmmaker’s attempt to re-create Nazi Concentration camp conditions in a film experiment that goes dreadfully wrong. The story inflames when film Director Torsten, inherits a diary from his recently euthanized grandfather (Lowster), and learns of an unspeakable past. In an attempt to make sense of the torturous and sadistic experiments his grandfather performed as a concentration camp guard, Torsten becomes a prisoner in his own experiment. Cabin fever, psychosis and revenge paint the picture in blood at a desolate lake house location, where Noah (obsessive set-designer), Paulo (an eccentric actor) and Torsten attempt to re-create a past that turns into a battle for survival.




Blame to Premiere at MIFF

The producers of West Australian psychological thriller BLAME have announced that the film will have its world premiere at the up-coming Melbourne International Film Festival. 


BLAME will premiere at 7:00 PM on the 30th of July at the Forum. 


Starring Sophie Lowe, Kestie Morassi, Damian de Montemas, Simon Stone, Mark Winter & Ashley Zukerman, BLAME is a story of revenge, lies and betrayal. It was written and directed by Michael Henry and produced by Ryan Hodgson, Melissa Kelly, Michael Robinson.


Check out a trailer on the BLAME website: http://www.blamefilm.com



July 10, 2010

Screen Australia announces investment in 13 new projects

Screen Australia has announced it will invest nearly $15 million in 13 new projects including three feature films, three TV drama series, one telemovie, two children’s TV series and four documentaries, triggering production worth of around $72 million.

The Last Confession of Alexander Pearce - Review



The story of convict Alexander Pearce, Tasmania’s relatively famous contribution to cannibal lore, has been tackled in half a dozen local screen productions over the last few years. Transported  to Van Diemen’s Land as a petty thief, Alexander Pearce was involved in two escape attempts from the colony’s harshest penal outpost, Sarah Island. Pearce became a notorious figure when he survived both desperate attempts to traverse Tasmania’s bleak western landscape by eating his fellow escapees. Turning himself in to authorities after the second failed attempt, Pearce hanged in Hobart Town in 1824. The story of this cannibalistic murderer swept around the world in the months that followed.

Partly funded by Screen Tasmania, The Last Confession is one of the most entertaining recounts of this story that we have seen so far. The performances of Pearce (Ciaran McMenamin) and his convict companions, particularly Greenhill (Daniel Wyllie) and Mather (Don Hany), are excellent and it is through their efforts that the pathos of this story really emerges. Some of the secondary characters are not quite as believable and this lets the exposition scenes down a little, but it is the convict’s journey through the wilderness that we are really interested in. The barren Western Tiers, depicted as a savagely hostile landscape, intensify the atmosphere of the film and it is easy to sympathize with the desperate situation of the escapees. The violence and gore inherent in this story is understated in comparison to similar projects and the subtle handling of such savage violence gives the film a gritty reality that a blunter or more shocking approach would never have achieved

Shot and constructed in a fairly clinical manner, The Last Confession straddles the line between documentary and dramatic reconstruction a little uncomfortably at times, but it is entertaining enough to keep an audience hooked. Delivered in straightforward steps, the plot follows Pearce’s third confession and doesn’t bring up his earlier version of events, which definitely works in the films favor. The drama derives from the harrowing story itself rather than any screenwriter’s tricks, talking heads or graphic special effects. Thankfully, writer/director Michael James Rowland has by-passed a journalistic examination of the events and instead hit the jugular of the story – no man knows what hunger can make him do.

The DVD extras included with this release  - deleted and extended scenes and alternative opening and ending sequences - are mildly interesting but do not offer any more real insight into the story. The stills gallery is a nice inclusion and looks fantastic, but the storyboard/script presentation is a bizarre choice and does not do the audience or the production team any favors.

The Last Confession of Alexander Pearce (distributed by Hopscotch Films) is available at JB Hi-Fi and other DVD retailers.